Scott trained at the Ballet Rambert School and is an Associate Artist of Matthew Bourne’s New Adventures.
Performing work includes: Extemporary Dance Theatre, ENO, The Royal Opera House, DV8 and, with New Adventures, the UK/world tours of The Car Man, Cinderella, Swan Lake, Highland Fling, Nutcracker!, Play Without Words and Edward Scissorhands.
TV and film work includes: The Car Man, Swan Lake, Roald Dahl’s Little Red Riding Hood, Drip: A Love Story, Late Flowering Lust, OK2, and as Choreographer: Beastie!, Mrs.Hartley and the Growth Centre and Richard II.
As Matthew Bourne’s Assistant, work includes: Peer Gynt (RSC Barbican), Oliver! (London Palladium), staging of Swan Lake section in Billy Elliot (Working Title), My Fair Lady (National Theatre/ Theatre Royal, Drury Lane), South Pacific and Play without Words (National Theatre).
Choreography includes: The Hostage (RSC Barbican), I Giganti della Montagne and La Callisto (Batignano), Der Stein die Weisen (Garsington), Time and the Conways (National Theatre), Enron (Chichester/West End/Broadway), Sondheim’s Passion (Donmar Warehouse), Earthquakes in London (National Theatre and UK tour), Lord of the Flies (New Adventures UK tour), The Merchant of Venice (RSC/Almeida), Decade (Headlong), The Phantom of the Opera (Cameron Mackintosh UK/US tours), Chariots of Fire - Olivier Nomination for Best Choreography (Hampstead/Gielgud Theatre ), Der Zigeunerbaron (Stadttheater Klagenfurt), This House (National Theatre), #AIWW , Wonderland (Hampstead Theatre), Candide (RSC), Oppenheimer (RSC/Vaudeville), The Wasp (Hampstead Downstairs/Trafalgar Studios), King John (Royal and Derngate/Shakespeare’s Globe), Pride and Prejudice (Sheffield Crucible), Medea (Almeida), Les Misèrables (Cameron Mackintosh/Wermland Opera Sweden) and Hapgood (Hampstead).